research

Artwork: Rapahel (1509-1511); The School of Athens (detail).

Research Expositions, & Presentations

'21. Samadi, Saman. “Complexity in Musical Works of Stockhausen and Samadi.” Wolfson College Music Society, Listening Sessions: Musical Encounters with Saman Samadi. University of Cambridge. November 17, 2021.

‘21. Samadi, Saman. Pasā-Pārsiyat: Musiqi-e Maqāmi-e Pasā-Pārsi [Post-Pars Modal Music]. Baru Magazine Vol. 4, Shamlou Org. April 2021. www.baru.wiki/saman.samadi/musighi-ye-maghaami/

‘21. Samadi, Saman. Pasā-Pārsiyat: Yek Navāk-Fazā-ye Rhizomatic va Yeknavākht [A Smooth and Rhizomatic Pitch-Space]. Baru Magazine Vol. 3, Shamlou Org. March 2021. www.baru.wiki/saman.samadi/yek-navakfaza-ye-risomatic/

‘21. Samadi, Saman. Pasā-Pārsiyat: Jahaān-Boomiyat-e Nāsān-Andishi [Glocality of Difference]. Baru Magazine Vol. 2, Shamlou Org. February 2021. www.baru.wiki/saman.samadi/pasaa-paarsiyat

'21. Samadi, Saman. Through a Veil: for wind quintet. Composers' Workshop. Birmingham Contemporary Music Group at the Faculty of Music. University of Cambridge. May 1, 2021.

'21. Samadi, Saman. Vāyuvēra: for violin, cello, and piano. The 2021 British Forum for Ethnomusicology and Royal Musical Association Research Conference. Amatis Piano Trio. University of Cambridge. January 14, 2021.

'21. Samadi, Saman. “A Comparative Study on Karlheinz Stockhausen’s Klavierstück X. Research Paper. To be published in the peer-reviewed journal Perspective of New Music, 2022.

'20. Samadi, Saman. “An Analytical Study on Pierre Boulez’s Le Marteau sans maitre.” Research Exposition. Research Catalogue (2020) https://doi.org/10.22501/rc.718708, September 28, 2020.

'20. Samadi, Saman. “An Introduction to Post-Pars Modal Music: A New Approach to Microtonality.” Online Conference. “Performing, Engaging, Knowing”, organized by Lucerne University of Applied Sciences and Arts, the ICTM Study Group on Applied Ethnomusicology, the Department of Composition, Electroacoustics, and Tonmeister Education of the University of Music and Performing Arts Vienna, and the Swiss Society for Ethnomusicology, August 26-29, 2020.

'19. Samadi, Saman. Nostalgia. Research Exposition. Research Catalogue (2019) https://doi.org/10.22501/rc.753343, 2019.

'16. Samadi, Saman. Nostalgia: multimedia works. Lecture-Concert. "Lethal #7—Last Saturdays Salon," Organized by Concrete Timbre, The Drawing Room, New York, November 19, 2016.

'16. Samadi, Saman. Guest-Composer Lecture - Doctoral Seminar. Organized by Reiko Fueting, Manhattan School of Music, New York, November 18, 2016.

'15. Samadi, Saman. Chamrosh: works for saxophone — IVcomplex No.1, and Before Your Very Eyes. Lecture-Performance. Anthony Izzo, saxophonist, and Saman Samadi, pianist. ShapeShifter Lab, Brooklyn, July 29, 2015.

'15. Samadi, Saman. IVcomplex No.2: saxophone quartet no.1. Lecture-Performance. LX Saxophone Quartet: Kenny Chen, soprano saxophonist; Mark Kabai, alto saxophonist; Barron Wei, tenor saxophonist; Brian Cho, baritone saxophonist. W10 Performing Arts Center, Brooklyn, July 3, 2015.

'15. Samadi, Saman. Shekasteh Mouyeh: for piano, voice, electronics, and video. Lecture-Performance. Saman Samadi, pianist, vocalist, video, & electronic sounds artist. ShapeShifter Lab, Brooklyn, July 29, 2015.

'14. Samadi, Saman. Persia 1909: for four improvising performers. Workshop. Laura Smith, oboist, Erika Dohi, pianist, Mark Utley, percussionist, Elizabeth Dorman, percussionist. Staller Center, State University of New York, Stony Brook, April 22, 2014.

'14. Samadi, Saman. Amiri: a fixed media composition (2012). Lecture-Concert. Harvestworks, New York, January 14, 2014.

'11. Samadi, Saman. U-Turn: a multimedia composition (2011). Lecture-Concert. Electroacoustic Music Event, University of Tehran, College of Fine Arts, Tehran, June 16, 2011.

'10. Samadi, Saman. Qatār-e Arvāh: a fixed media composition (2010). Lecture-Concert. Electroacoustic Music Event, University of Tehran, College of Fine Arts, Tehran, June 15, 2010.

'09. Samadi, Saman. Unfolding Saman Samadi's Symphony in Three Movements. Seminar. University of Tehran, Tehran, September 22, 2009.

Academic Research Coverage

'22. Boroumand Yazdi, Reihaneh. “Le mandala, entre mystique persane et modernité: répéter un monde éternel ou créer des mondes possibles?” [The mandala, between Persian mysticism and modernity: repeating an eternal world or creating possible worlds?], Déméter. Théories & pratiques artistiques contemporaines, Université de Lille, #7 | 2022. https://demeter.univ-lille.fr/

'19. Broumand, Reyhan. “Le choc de la déviation de la tradition dans la musique électroacoustique iranienne: Saman Samadi’s Satori.” Seminar. Semaine Internationale de la Musique Électroacoustique, LILLIAD de l’Université de Lille - Sciences et Technologies, Lille, April 24, 2019.

'18. Broumand, Reyhan. "Entre passé et avenir : Les deux rôles des instruments acoustiques dans la musique électroacoustique iranienne: Saman Samadi’s Palm Plate.” Seminar. Semaine Internationale de la Musique Électroacoustique, LILLIAD de l’Université de Lille - Sciences et Technologies, Lille, April 20, 2018.

'17. Broumand, Reyhan. "L’impact de la tradition dans la création contemporaine : un regard sur la musique électroacoustique iranienne: Saman Samadi’s Zenith.” Seminar. Semaine Internationale de la Musique Électroacoustique, LILLIAD de l’Université de Lille - Sciences et Technologies, Lille, April 28, 2017.